A cult comedy set in the theatre world, where the backstage plays one of the leading roles. Intelligent British humour laced with subtle irony. Michael Frayn places the story within a theatre company that is preparing a new comedy.
Two characters. A Woman and an Angel — and their deeply mysterious encounter somewhere between heaven and hell.
The Woman finds herself after death in a space we call purgatory and is forced to play a game with the Angel. He acts as the judge of the game and listens closely to the story of her life. The rules seem simple — if she reaches one hundred points, the path to heaven will be open to her.
Theatre is a strange organism. To the uninitiated ones it may look like an alchemist‘s workshop.
Theatre is a strange organism. To the uninitiated ones it may look like an alchemist‘s workshop. Various people in it mix the unlikeliest of ingredients to produce a rare thing. A staging which would allow the actors and the audience to experience that exceptional feeling – that they have right here, right now witnessed (and co-created) an unrepeatable artistic experience.
The most famous ballet fairy tale made accessible through touch and sound
Through the project The Nutcracker for the Blind, we aim to make ballet accessible to people with complete or severe visual impairment by combining the senses of touch and sound.
A tragicomedy about the harsh reality of village life, where people are as tough and strict as the mine itself
Székely’s tragicomedy Mine Flower reveals the true reality of life in a village, where people are as tough and strict as the mine itself, yet hide great human wealth within. The author has a deep understanding of the soul of those living on the rural periphery, a world where not only the rumble of mining machines has stopped, but time itself have frozen.
One of Andersen’s most beautiful fairy tales as opera.
The opera was first performed at the world-renowned Mariinsky Theatre in St. Petersburg in 1979 and has remained part of its repertoire almost continuously ever since. In this work, the composer introduces young audiences to the rich and complex world of opera, from a vibrant live orchestra and demanding yet melodic solo parts to the atmosphere of the theatre as a magical space of dreams.